In the coloring it was provided by Mr. Yuji Sakai, paint that was actually used in the shooting for suit production of the time and has a color swatch. By using a color that reproduces this time, reproduce the Godzilla that is more genuine feeling. Texture that have been added further in modeling, the color and consistency is taken into account with, shadow at the time of painting, and more emphasize produce a sense of scale, such as wrinkle feeling has been subjected. Modeling and painting, integrated each other's technology to fruition as Human size Godzilla (1991 Hokkaido Ver.). In addition, painting manually by the airbrush. Digital and manual of fusion is supporting its quality.
Human size Godzilla (1991 Hokkaido ver.) The size of the total height about 185㎝ (not including the base), total length about 305㎝ is one that reproduces the suit size at the time of the commonly called "Gidogoji". Sense of balance corresponding to the scale in molding becomes large "liver". Of course, etc. say that no matter how high-precision 3D data, Once you output the raw data in the life-size size, it becomes ersatz stuff. When outputting scaled is required balanced adjustment of each part. This "Sajikagen", are still design here is cultivated over many years know-how in the life-size figure production is a major advantage. Human size Godzilla (1991 Hokkaido ver.) Is on top of the data adjustment was based on the design here of the rule of thumb, first output. Further confirmed this output sample by the human eye, the best detail feeling while performing the re-adjustment has been pursued. Texture detail in accordance with the suit size on the basis of the Godzilla material treasured has been shaped by the Sakai of supervision is also its features.
※ actual product is fixed to the pedestal. You can not remove from the pedestal.
Human size Godzilla (1991 Hokkaido ver.) From scanning the original by Mr. Yuji Sakai, the production began. Generally, 3D scan data of the form in such a handy scanner, but depression Human size in one step further, making full use also the transmission scan by industrial X-ray CT. Shape intricate, such as mouth and dorsal fin, and the data of up to each part of the detailed detail. The digitization is all based on the engineering theory, based on the engineering technology and experience value of design here, analysis Godzilla of the image, and the overwhelming modeling force of Mr. Yuji Sakai as a numerical value. The 3D data of this high-precision, has achieved an overwhelming presence of Human size Godzilla (1991 Hokkaido ver.).
Design here is the output from the 3D data life-size high-precision 3D printer that was originally developed for the large figure "COCO MIYAGI 76" have been used. This printer is proud of the overwhelming modeling area by the new structure, which was integrated with the driving unit and the frame structure, to enable the output of the vertical 600 mm × width 600 mm × height 700㎜ size at the maximum. This country with one of the largest 3D printer with a feature size of, finely parts divide the 3D data obtained by scanning the prototype of Mr. Yuji Sakai output. The parts division, shape confirmation of each part has been done again and again.
Particularly with respect to the modeling of the "face" part, it has been repeated countless times trial and error, is made to embody the image of Godzilla. For further modeling made with this 3D printer, brush up, such as adding the texture is carried out, and has done a punching die. Usually, due to the increase in the size of the shaped object "edge" is he becomes sweet but, Human size Godzilla (1991 Hokkaido ver.) Also stick to the "edge", reproduce the fangs and claws, some, such as sharp dorsal fin modeling . Are three-dimensional Godzilla with overwhelming force.
Human size Godzilla (1991 Hokkaido ver.) Mr. Yuji Sakai, who produced the prototype himself supervised. Sakai provides the documentation for treasured, such as also the eyes and skin in addition to the paint that was actually used at that time filming, showed its direction. By creators each other to interact directly in the field level, higher Yuji Sakai's original philosophy of purity are reflected. Incorporated a variety of know-how of the design here is a molding in charge, it has been produced by Sakai's thorough supervision. Skin feeling of Godzilla is a place where particular attention was, Mr. Sakai said, "aimed to reproduce the Gidogojisutsu that does not exist right now.". Highest peak of Godzilla figure harboring the modeling philosophy of Mr. Yuji Sakai lust its brave figure in the largest scale ever.
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*Images are for illustrative purposes.
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